Feb 23 2013

Review: The Living Daylights

Welcome to my review of The Living Daylights, the fifteenth part of my challenge to review all of the James Bond films. I’m watching each film in turn and trying to figure out which one is my favourite. For more information, see my introduction here. You can read my review of the previous film, A View To A Kill, here. Spoilers follow.

The Living Daylights
(dir. John Glen, 1987)

The Living Daylights trailerSo, Timothy Dalton, then. He’s not Roger Moore, that’s for sure. Or George Lazenby, or even Sean Connery. He’s a very serious man.

This isn’t a bad thing. After the reign of Moore as James Bond—especially For Your Eyes Only and A View To A Kill—seeing Dalton play Bond as a straight assassin is very refreshing. Quips aside, it’s easy to believe that Dalton’s 007 would happily murderise any bad guys who got in his way: he is an angry, vengeful Bond.

The Living Daylights opens with a training exercise on the Rock of Gibraltar, which is particularly exciting for me as I used to live there and spotted my old home in the footage. Three Double-0 agents (002, 004 and 007) are engaged on a training exercise that goes horribly wrong when 002 and 004 are assassinated. From there, we go to Bratislava, where Bond is charged with providing covering sniper fire for a defecting Russian officer, General Koskov (Jeroen Krabbé). Despite his darker and edgier makeover, Bond refuses to kill a cellist would-be assassin (Kara Milovy, played by Maryam d’Abo), identifying her as an untrained stooge.

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