Feb 20 2013

Review: A View To A Kill

Welcome to my review of A View To A Kill, the fourteenth part of my challenge to review all of the James Bond films. I’m watching each film in turn and trying to figure out which one is my favourite. For more information, see my introduction here. You can read my review of the previous film, Octopussy, here. Spoilers follow.

A View To A Kill
(dir. John Glen, 1985)

A View To A Kill trailerA View To A Kill is a bit of a rubbish title, when you think about it. I mean, it’s not like the film titles in the Bond franchise ever really make a lot of sense—Octopussy and Thunderball spring to mind—but what does A View To A Kill even mean?

I’m not going to mark the film down on the basis of its title, but I mention it simply because the films have a habit of dropping the titles into the script somewhere. In A View To A Kill, the title is shoehorned awkwardly into some vague and irrelevant villainous banter. It doesn’t work.

“Shoehorning” is an appropriate word for A View To A Kill. The film is the inevitable culmination of a series that isn’t entirely sure of why it’s so successful, and so the filmmakers have chucked in literally everything they could think of to make it exciting. Octopussy, as I mentioned in my review, swings between grit and action and bad comedy, which is bad enough, but A View To A Kill just feels makeshift.

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