Mar 6 2013

Review: Tomorrow Never Dies

Welcome to my review of Tomorrow Never Dies, the eighteenth part of my challenge to review all of the James Bond films. I’m watching each film in turn and trying to figure out which one is my favourite. For more information, see my introduction here. You can read my review of the previous film, Goldeneye, here. Spoilers follow.

Tomorrow Never Dies
(dir. Roger Spottiswoode, 1997)

Tomorrow Never Dies trailerTomorrow Never Dies has an interesting plot. The central villain, Elliot Carver (Jonathan Pryce), is not trying to destroy the world or rob a bank. He’s not taking revenge for past injustices or carting drugs across borders. Not that he’s against any of these things—far from it. He just wants exclusive media rights when the story breaks.

I’ve had a morbid curiosity on the lengths that the media will go to when looking for news. Back when I used to write for, now sadly defunct, I wrote an article that broke down the UK papers in a simple guide as to their slants and intended audiences, and four years working for a clippings agency back when I first moved to London gave me some insight as to just how much bullshit can make the front page. Carver in Tomorrow Never Dies is the ultimate media baron, however, because he takes the news cycle a step further: in the absence of a good news story, he creates his own.

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